I saw my first Stevie Nicks concert 30 years ago, when I was 16. Since then, I’ve seen her every time she’s come to Denver, either solo or with Fleetwood Mac, and even gone to a few out-of-state shows. And I’ve had a wonderful time, every time. But if I had any criticisms, they would be these. First, Stevie’s opening acts tend to range from “okay” to “ugh.” On the “okay” end — Chris Isaak, Boz Scaggs, Peter Frampton. On the “ugh” end — Billy Falcon, Venice, Darden Smith.
Second, Stevie’s set list is almost always very safe, and very samey. She’ll open up with “Outside The Rain”, segueing into “Dreams.” She’ll play “Stand Back”, “Gold Dust Woman”, “Rhiannon”, and some songs from whatever album she’s promoting. She’ll end the show proper with “Edge Of Seventeen”, and finish her encore with “Has Anyone Ever Written Anything For You?”. She has a repertoire of other songs that regularly show up in sets — “I Need To Know”, “Beauty And The Beast”, “Landslide” — and a catalog full of many, many more wonderful songs that she virtually never plays.
Now don’t get me wrong (heh) — I’ve loved every single one of those shows. And predictability has a comforting quality of its own. But I’ve frequently longed for Stevie to take a page from the book of more adventurous artists, like Bruce Springsteen, Tori Amos, or the Indigo Girls, who surprise fans nightly with rarities and deep cuts interspersing the hits.
Well, I got my wish this year. Early in the show, Stevie said, “This is not going to be your typical Stevie Nicks show. In fact, this is going to be the Stevie Nicks show you’ve been wanting for 35 years! Now, 35 years is a long time — you may not remember that you’ve been asking for this show all that time. But you have!” This show lived up to that promise, one hundred percent.
But I’m getting ahead of myself. Let me return to my first point, about mediocre opening bands. I could not have been more thrilled when this tour was announced, with the freakin’ PRETENDERS as an opening act! This is a band I’ve seen as a headliner multiple times — they’re one of my favorite artists of all time. Easily in the top 20, probably in the top 10. They didn’t disappoint either. Chrissie Hynde’s famous bangs are a little greyer, and her frame isn’t whip-thin anymore (having graduated to just “pretty thin”), but she still sounds fantastic.
She strutted out with the latest version of the band, including original drummer Martin Chambers (who’s always a hoot in concert), and opened with the title track from their new album Alone, a rockin’ anthem which declares “Nobody tells me I can’t / Nobody tells me I shant / No one to say “you’re doing it wrong” / I’m at the best, I’m where I belong, alone / I like it, yeah, I like it alone!” This was the first time I’d heard the song, and I loved it. She also played several other good new songs, including their single “Holy Commotion”, which she introduced as “all over the radio in Europe… and that’s a total fuckin’ lie. But it will be!”
The band also played plenty of hits — “Don’t Get Me Wrong”, “I’ll Stand By You”, “My City Was Gone”, “Brass In Pocket”, and a particularly fierce “Stop Your Sobbing.” There were some lesser-known catalog tracks too, like “Private Life”, “Mystery Achievement”, and “Hymn To Her.” Oh, and “Tattooed Love Boys”, which I’ll never hear the same way again after having read the backstory about it in her autobiography. I won’t recount that here, because it’s… disturbing.
Anyway, they finished with an exhilarating “Middle Of The Road” before ceding the stage with a promise that “the Elizabeth Taylor of rock” awaited us. Their set would have made for an excellent evening on its own, but instead, I still had a whole Stevie Nicks concert to look forward to! Amazing.
So after the appropriate inter-artist interval, Stevie came out with her band, opening the show with… not “Outside The Rain”. In fact, amazingly, not any song from any released album, but rather the Bella Donna outtake “Gold And Braid”! Right then, I knew this was going to be a special show. Stevie had played “Gold And Braid” on one other tour, the 1998 tour promoting her box set, Enchanted. Up until this year, that was my favorite tour of hers, because she gave herself permission to play some more obscure songs that appeared on the box set, songs like “Gold And Braid”, “After The Glitter Fades”, and “Garbo”, which I never thought I’d hear in concert.
Opening with “Gold And Braid,” though, hearkened all the way back to the only other time she’d played it, on her very first tour in 1981, when she only had one album’s worth of solo material to even play. There’s a famous (among fans) recording of her dad introducing the last night of that tour, and the band kicking into “Gold And Braid.” [Note from 2023: Or is it “Gold Dust Woman”? Based on the tracks that appear on her Stand Back collection, I wonder if my home tape of that moment has been leading me astray all these years? Anyway…] It’s a funky, soulful number with tons of energy and drama, and she absolutely sold it, then and now.
From there it was “If Anyone Falls”, a seldom-played song for having been a Top 20 hit, and one I absolutely love. Speaking of hits, the next song was “Stop Draggin’ My Heart Around”, originally a duet with Tom Petty but when she (occasionally) plays it in concert, she duets with her guitarist Waddy Wachtel. Except this time, here came from the back of the stage… Chrissie Hynde! In a bright orange Denver Broncos t-shirt, no less. It was an incredible thrill to hear two of my favorite singers duet on such an iconic song. Chrissie makes a hell of a Tom Petty substitute, and Stevie seemed to feel the same way, saying afterward, “You don’t often get to do something that cool.” She also mentioned that Chrissie scared her, because she was expecting the typical black clothes, and when this orange sight started approaching she thought, “They’re sending the wrong person out here!” Heh.
It was about then that she made the “not your typical Steve Nicks concert” comment, and I was believing it. She said she was going to sing some songs that were meant for earlier albums, like “Gold And Braid”, but which she pulled because she didn’t like the production, or the way the song turned out at the time, or some other factor. That led into another fabulous Bella Donna outtake, a song called “Belle Fleur”, which she finally recorded for her 2014 collection 24 Karat Gold: Songs From The Vault. We’d moved from “seldom heard in concert” songs to “never heard in concert” songs, and I was over the moon.
I was also starting to figure out what was going on. See, Stevie never toured on 24 Karat Gold — in fact, she released it on the very same day that Fleetwood Mac kicked off a yearlong tour. So these shows were the long-delayed tour for that album, meaning that we could expect to hear several more outtakes and demo tunes, since those were the backbone of the album. Not only that, she’d just released reissued deluxe versions of Bella Donna and The Wild Heart, stuffed with their own loads of demos and outtakes. No wonder this would be the show we’d been awaiting for 35 years! (Or 30 years in my case, since I was only 11 when she started touring solo. 🙂 )
It was at this point in the show that Stevie played the “Outside The Rain”/”Dreams” combo — a return to familiarity that was itself a surprise due to its unexpected placement. Then came one of the absolute high points, another never-before-played song: the title track to The Wild Heart. This is one of my all-time favorite songs, but I never expected to hear it in concert, given that she didn’t even play it when she was promoting the album. It’s an epic song, with an epic high note at the end, and perhaps she never played it because she wanted to avoid singing that note night after night. Well, she figured out a way to do it — the band truncated the song before it got to that climactic section, clicking immediately into the title track from Bella Donna, a song she hasn’t done since 1981. I was a little disappointed that the big finish was missing, but hearing these two super-rare title tracks back to back more than made up for that.
I’ve been going through the show song-by-song, but if I keep doing that, I’m going to run out of superlatives. Those who want to see the full set list can find it at the awesome setlist.fm. I’ll just mention a few more high points:
- The other major jaw-dropper, and probably the peak of the entire show for me, was when she played “Crying In The Night.” This is the opening track of the still-unreleased-on-CD Buckingham Nicks album, the record she and Lindsey released before joining Fleetwood Mac, the one that Mick Fleetwood heard in the studio when casting about for a new guitar player. Talk about a song from the vault!
- “Starshine” was another great selection from 24 Karat Gold, an ebullient rocker preceded by a fun story about how she recorded the original demo in Tom Petty’s basement. “You wish you could have been there, I know,” she chuckled.
- “Enchanted” was another delight, though it doesn’t fall into the same seldom-played bucket as some of the others, at least not recently. The track is from 1983 (The Wild Heart album), but she didn’t play it in concert until 1998. However, since then it’s shown up frequently in set lists.
- Not everyone knows that Prince wrote the keyboard riff to “Stand Back”, but Stevie drove the point home by projecting a huge photo of him on the screen behind the stage as the song started. Lots more Prince photos followed later during “Edge Of Seventeen”, appropriate for a song about (among other things) grief and death.
The final song, rather than the typical “Has Anyone Ever…”, was a lovely, chiming “Leather And Lace.” There was no Don Henley, and no Chrissie Hynde to substitute for him, but Stevie was magical singing the song by herself. An exquisite end to an enchanted night. All in all, I’d say it was the Stevie Nicks show I’d been awaiting for 30 years.
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